We rummage through the suitcase of Kalita Al Swaidi, founder of resort-wear label KALITA. She lets us in on holiday-dressing rationale, travel-inspired designs and where to stay and play in her favourite destination: Sardinia.
20 October, 2020
Kalita
Al Swaidi, founder and creative director at KALITA, knows about
holiday dressing and holiday daydreaming. Her teleport-me-there-now
destination?
Sardinia. Her holiday wardrobe? Unfussy, glamorous jewel-toned
gowns à la 50s icons. In effect, she is our dream holiday companion
(provided her stance of sharing clothing – namely hers – is “go for
it, darling”).
After rummaging through her suitcases, we can concur that the
resort-wear label founder’s chic holiday staples are in abundant
supply. Swooning over the travel pieces that transition
effortlessly from beach-shack lunch to 8pm apéritifs in the city’s
most exclusive bar, we’re taking a leaf out of her book and packing
KALITA, KAILTA, KALITA from here on out.
KALITA
Kalita Al Swaidi
Iraq; Texas, US
London
My father is Iraqi and my mother is Texan, but I grew up in
London. In
some ways, my mixed background drew me towards the fashion world as
I never really felt as though I fit in – because of that, my
language became clothes. The heady colours and smells of Old
Baghdad, where my father spent his childhood, for instance, are an
assault on the senses and have gone on to influence my collections:
you’ll recognise golden tones from in the city’s ancient
coppersmith’s market and rich hues inspired by the many souks
there.
My ever-elegant mother and her hooped gold earrings that I used
to play with (or steal!) before she would put me to bed. My mother
has been a strong influence on me from a young age; her
architectural background had a significant bearing on my approach
to designing my pieces. She taught me about the “golden ratio” and
how everything in nature relates to it.
Maximalist minimalism. I’ve always loved the unfussy, glamorous
and thrown-on look of the 50s icons that packed for a week’s
holiday in one suitcase. Looking and feeling great shouldn’t be an
arduous task – it should feel playful and light or however you wish
it to be and this is a focus I’ve carried through all my
collections.
The studio in Bali is the perfect KALITA vision: an old
shopfront warehouse filled to the brim with cutting tables, colour
and archive collection pieces. Here in London, it is all very city
chic: a pared-back office with clean lines and piles of colourful
KALITA pieces everywhere.
We listen to the radio mostly and then at Christmas we get all
excited and put on something adequately cheesy.
The Brigitte (one of the brand’s most iconic
maxi-dresses); the
Aphrodite beach gown – the moment I see it I can almost smell
the sea; and the new Calypso maxi.
My inspiration comes from everywhere: the people I meet, my
heritage, the colours in nature…each collection is like a
mini-history or everything that has inspired me over the past six
months. Nature, in particular, plays a big part in my work and what
I do – just being outdoors or by the sea does so much for my
wellbeing and creativity.
I made the decision early on that I wanted to take
responsibility with the brand, making it as ethically sound and
sustainable as possible. Azo-free dyes have higher absorption rates
which minimize the grey-water run-off during production, thereby
minimising the pollution of natural waterways and local ecosystems.
Raising awareness of ocean health is incredibly important to me, as
is the elimination of plastic in our packaging; we use a natural
packaging that is made from corn or straw and is 100-per-cent
biodegradable, plus each KALITA piece bought directly from us comes
in its own muslin bag.
It definitely does. The idea for the label was born after my
first trip to Bali in 2014. I find that getting out of your comfort
zone and going to a new place is a great instigator of
creativity.
New York
has always been a favourite of mine, exploring the back streets and
quirky shops of Soho and Noho. Paris and
especially La Place Royale is also amazing for the vintage
finds.
My Brigitte gown, Celine sunglasses, a great book and my
husband.
I would go back to Sardinia and sit in the square in San
Pantaleo with an Aperol spritz in hand, accompanied by hunks of
pecorino cheese and truffle honey to devour.
I’ve always thought that it’s the people who work in a hotel
that make it memorable; at all the hotels that I adore, I know the
staff by their first name.
Hotel du Cap-Eden-Roc, Antibes, France – The
Brigitte gown.
Cervo Hotel, Porto Cervo, Italy – The Lotus
dress, which comes in a short and longer length version.
Villa TreVille, Positano, Italy – The Calypso
maxi dress.
El Fenn,
Marrakech, Morocco – The Clemence maxi dress.
Cliveden, Berkshire, UK – The Maia top and Inky
skirt.
The
Pig near Bath; Cliveden where my husband and I got married; and
fishing on the River Tees.
Layering, layering, layering and making little lists before you
go away which excite you about your trip and get you organised as
well.
Where the Crawdads Sing by Delia Owens. I don’t want to finish
it.
Saturn Returns with Caggie has been fabulous and the second
season is coming out soon so I’m looking forward to that.
Hopefully Switzerland for skiing and a cosy Christmas.
A little something from my adventures is always a bonus, usually
a bottle of the local tipple – my grandfather used to collect
grappa bottles, so I always bought him one during my travels.
A cashmere throw for the plane which can double up as a scarf
when you arrive.
KALITA, KALITA and more KALITA!
STAY: Cervo Hotel
EAT: Spinnaker
DRINK + DANCE: The piano bar of Hotel Cala di
Volpe, Phi Beach and Rumours
SHOP: In Porto Cervo’s piazza
DO: Nothing!