We met with Jennifer to discuss those razor-sharp stilettos, design with an academic approach and some of her favourite Lebanese pit stops.
09 October, 2018
The
Lebanese-born,
London-based
designer, is a shoe-loving LSE graduate gone rogue. Waging her
love of number crunching with a more creative career as a shoe
designer, Jennifer Chamandi set up her eponymous label in
2016.
Following nine months of prototyping and manufacturing
innovations, it was perhaps no great surprise that such a
technically complicated shoe (which incorporates a gold-plated
eyedrop-shaped hole carved and inlaid into the heel) could only be
made in one place; Parabiago, Italy
– a small village where both Christian Louboutin and Manolo Blahnik
also produce their teetering heels.
While the brand is geographically British (by way of Italy),
Chamandi’s Lebanese culture rings just as strong, garnering much
inspiration from her Middle Eastern heritage, specifically its
textures and colours.
We met with Jennifer to discuss those razor-sharp stilettos,
design with an academic approach and some of her favourite Lebanese
pit stops.
Jennifer Chamandi
British Lebanese
Women’s luxury footwear
Net-a-Porter, Browns Fashion, Farfetch, Harrods, Level Shoes in
Dubai
and On Pedder in
Hong Kong and Singapore.
Beirut,
Lebanon.
The Lebanese women are very fashion forward but still focus on
silhouette and style, and appreciate good quality and design when
they see it.
I studied economics at the London School of Economics which
encouraged me to start my career in banking. I worked in finance
for seven years and I loved it. It taught me to work under high
pressure and gave me a strong work discipline. During that time, I
enrolled in footwear-making and shoe-design courses at weekends
while summers were spent at Central Saint Martins and London’s
Cordwainers’ College to deepen my technical knowledge. After a
certain time, I decided I had to follow my passion full time.
I’ve loved shoes ever since I can remember. When I was little, I
revised for my exams wearing my mother’s pumps, claiming that I
studied better in heels.
The “eye of the needle” – which incorporates a gold-plated
eyedrop-shaped hole carved and inlaid into the heel – it’s my
brand’s DNA.
It’s a small village on the outskirts of Milan, a little gem and
the ultimate shoe heaven. My manufacturer, Lorenzo – who my pump is
named after – runs a three-generation family-owned atelier
there.
I took a four-month intensive course with a tutor here in London
in order to negotiate better with my suppliers. Without the
language, I could have never got Lorenzo on board.
In today’s world of customisation where women seek unique
products, it was important to offer them a distinctive shoe. The
eye of the needle is instantly recognisable, yet very subtle. The
shoes can be worn with or without the strap and in both cases they
are recognisable because of their eye of the needle detail.
Comfort is key. “Classic with an edge” is also an oft uttered
request.
A woman who is bold and chic.
I am inspired by everything around me and am normally triggered
by texture or colour. Timescales differ, as I can create the
perfect design in a matter of hours or have to be in the right
state for days.
Travel definitely plays a role in my design process and
creations – anything from architecture to the nature of different
cities can spark designs in my head when I’m on the go.
Burgundy, the Hotel Albergo, Café Em
Sherif, Casablanca and Liza.
The stiletto is like the LBD of footwear – ultimately, it never
goes out of style.
A play on both textures and colours – with an adventurous twist
of both.